Tuesday, February 5, 2013

Channel of Melancholy and Depression ~ The 3/60







The Mutative Pulse is Unpredictable

The pulse is deeply, deeply unpredictable. 

It appears to be logical, in a way.  That is, the pulse is something that can appear to be very normal and consistent. 

It‘s a pulse, after all.  You can have a pulse that‘s set at a specific beat.  The 2/14 happens to be the Channel of the Beat.  It can seem very logical as a pattern. 

And then all of a sudden, whoosh, something happens. 

It's called mutation. 

This mutation, what really annoys the collective is that it is this mutation that is the for-mat  of  the  driving  force  of  what  our  direction  is,  and  not  just  the  direction  of  the individual. 

But ultimately, as it moves out into the Sphinx, it is, in fact, the direction for the collective as well and the collective can do nothing about it. 

The moment there is mutation, everyone has to adapt. 

You adapt or die. 

It's just the  way  it  goes.    And  if  you're  not  equipped  to adapt—dinosaurs  are  a  good  example—you  pe-rish. 

It‘s why the collective is always very, very wary of the individual.  I‘m a 43/23; I've been through  a  21-year,  three  seven-year  cycle process  of  trying  to  introduce  something  new  to the collective. 

And the collective is deeply, deep-ly,  deeply  resistant. 

It‘s why the 43/23 is most often  referred  to  as  the  freak  by  the  collective because  the  collective  is  very,  very  wary  of  ac-cepting its potential genius because if it does, the rules  change.   

New  patterns  have  to  be  investi-gated, new  experiences have to be taken in, old patterns  and  old  experiences  don't  count  any-more.  

So,  in  essence,  individuality  brings  this  very,very  dynamic  force  and  yet, at  the  same  time, there's  no  guarantee  it‘s  there.   

Think  about mutation. 

The most interesting thing about indi-viduality  is  that  the  biggest  part  of  its  reality  is what it doesn't know at any given moment, and cannot know at any given moment. 

And therein leys the dilemma in every single individual gate, that dilemma of uncer-tainty. 

The Uncertainty Principle 

There is a wonderful principle, the uncertainty principle.  I can sort of deconstruct it and rip it apart—the uncertainty principle in individual activations. 

We‘ve seen that if you've got a logical activation, it points to a real fixedness there. 

You‘re really into things,  which  means  that  there  are  other  things  you're  not  paying  attention  to.   

If you've  got  that  abstract  there, it  means  that  there  is  this  instability,  this  drive  to move on, even though you may not be finished with something; again, the potential ―this and that of any of these processes. 

But when you're looking at the mutative activation, what is there is uncertainty.  

So think about that, think about any individual activation.  Take the 2nd gate as an example, which is all about direction, knowing the direction. 

So, you go to the 2nd gate  and  you  say  to  the  2nd  gate, ―I‘m lost, where should I go? 

And  they  go, “I don’t know.”  ―Yeah, yeah, but please give me your best guess.  “I don’t know.  I
don’t.”  The  person  walks  away.   

Fifteen  minutes  later,  in  the  pulse,  between  the pulses,  comes  the  mutation  and  the  2  suddenly  remembers,  or  suddenly  realizes where  the  direction  could  be.   

They  have  no  control  over  that,  no  control  over  the timing of that.  They don't.

Every single individual aspect is uncertain until mutation takes hold. 

Now, of course, the mutation doesn't have to be some kind of grand mutation.  That mutation taking hold is what, within individuality, we call knowing. 

And the thing to recognize about knowing is  that  knowing  has  an  existential  appearance.

In  other  words,  it  literally comes out of nowhere.  

Think about the not-self dilemma. You have a logic person and an individual and an abstract being. 

And you've got the three of them, and you're asking them to make up their mind about something. 

You've offered them a job or whatever the case is and  you  want  them  to  make  up their mind and you‘re asking them now for their answer.  

So, the logical person looks at the pattern of it, it looks at what kind of work it is, it looks at its own relationship to that kind of task, whatever it may be, it looks at the possibility of what that can be like to do that over a period of time. 

It lays out the pattern.  It thinks about its basic security, and it makes its decision, and it makes a logical decision based on its detail, based on the facts or whatever its relative facts happened to be.  

The abstract person goes back into their own experience. 

They look back at simi-lar kinds of things that they have done. 

They look back at the way in which they felt about those things.  And based on that feeling, they will say yes or no to whatever it is.  

And then the person who is offering the job turns to the individual and says, ―What about  you? and  the  individual  says, “I  don't  know.” 

And  the  person  says, ―You have to make up your mind now because I can't wait any longer.  We have to do this now. And the individual says, ―I don't know.

The collective ones on either side look at the individual as if they're nuts.  What do you mean you don‘t know? 

You must have an idea; well, that's abstract. 

What do you think? 

No, that‘s logic.  The individual doesn't know it doesn‘t know. 

It can't make up that it knows. 

It can‘t do the logical thing. 

It can‘t do the abstract thing. 

It  has  nothing  to  base  its  knowing on,  only  if  it‘s  there.

And  of course,  the  collective  does  not grasp  this. It  doesn't.   

To  think things through in order to make up your  mind is  so  logical.   

To  muse over things in order to decide is so abstract.

The  individual can‘t do that.  It‘s simply, ―I don't know.  I don't know until I know.

So  what  that  means  is  that  every single  individual  aspect—and there's  an  enormous  amount  of individuality  in  anybody's  design because it  is  the  largest  of  the circuitries—is to recognize that in every single one of those aspects is a brake, like a brake in your car. 

It‘s a brake that holds that aspect back from functioning correctly, because it cannot function, it cannot operate correctly until it knows. 

Otherwise, it is uncertain. 

For somebody like me who is an individual and a knower, in my ordinary life I say, ―I don't know much more often than I say ―I know.

Because this ―I don't know is simply that there is no direction. 

That‘s the point.  There is no direction.

The real transition comes going back to the foundation of what this is all about, that is, Strategy and Authority. 

Because the moment you enter into something correctly, the  knowing  is  inherent  in the  system.   

In  other  words,  it  is  correct  action, and through  the  continuity  of  the  vehicle  and  the  way  in  which  we  operate  holistically,  this is a healthy and correct thing to do and you're not going to have this dilemma. 

But,  it  becomes  so  uncomfortable  for  the  not-self that carries  individuality,  always pretending that they have made up their mind. 

This is what happens to individuals. 

Individuals become pretend-collective. 

They pretend that they‘ve actually worked it out as pattern, or they look back into their own experience. 

But this has nothing to do with knowing.

The 3/60: Melancholy and Depression 

The  other  thing  is  that  when  you're  dealing  with  a  3/60,  because  you  are  dealing with individuality, you're dealing with another element here. 

You're dealing with the element  of  the  chemistry  of  indi-viduality.   

That  is,  the  pulse  car-ries  an  energy  that  can  be  best understood  by  most  people,  par-ticularly  not-self, as melancholy. 

That is, as sadness.  It is a highly creative  energy.    It  is  the  energy of  the  muse.    And  in  the  same sense of the muse, it is not some-thing  that  one  can  control.   

You cannot control it.  It is there when it is there, the  creative impulse is there when it is there.  And when it‘s  not  there,  it  is  simply  not there.  

This chemistry in the 3/60, this melancholic chemistry, this creative chemistry, it is only  in  the  3/60  that  there  is  the  potential  for depression.  

And it‘s a depression that if it takes hold, literally can move through the whole vehicle. 

And again, this is when the pressure of the homogenized world to conform brings the deepest devasta-tion to the individual spirit.  

The  whole  thing  about  individuality  is  that  it  cannot  follow  the  collective  law.   

If  it follows the collective law, nothing new will ever emerge. 

It‘s why it‘s very difficult to influence people who are individual. 

It's not that they are stubborn and that's built into their design. 

It is not that they are deaf and that is built into their design. 

They are  helpless  in  that  because  they  are  not  intended  to  be  easily influenced.   

In  this way  we  open  up  the  possibility  for  the  emergence  of  true  mutation.   

But  it  means that if you're not-self, the way in which you‘re going to interpret this ―not knowing, and  the  fact  that  it  carries  with  it  this  potential  melancholic depressive  energy, is that you feel lost.

Think about somebody who has the 3/60 and they've got an open Heart Center and they  feel  so  deeply unworthy. 

They‘re always trying to prove themselves to other people.  They‘re always trying to get other people to  be  impressed  with  them, for other  people  to  see  that  they're  really  terrific  and  useful  and  whatever.   

And  they don't really know and they have something that comes in their direction and some-body says to them, ―I would really like you to do this thing. 

And what that person is really asking them is to be a cheap, abused slave.  And they do not know.   

And there is this sadness that is there in them.  

And  that  undefined  Heart  Center,  because  it's  going  to  be  the  key  to  the  way  in which  their  mind  is  going  to  make  decisions,  that  Heart  Center  is  going  to  say, ―I have to say yes to this job to show them that I'm really worth it.   

And I've made up my mind.  I‘ve looked at the past and I've looked into the future. 

And then they end  up  doing  something  that is  absolutely  horrendous.   

And  they  hate  it  and  they become more depressed.  

Wherever  I  look  at  the BodyGraph, it doesn‘t matter where I look, I can point to places that can make you suffer so much. 

Every activation, every line, every color, every tone, every base, it doesn't matter what the configuration is. 

The moment you lack awareness, the moment you don't operate correctly, you are not-self and noth-ing is going to truly work for you.  

And  the  fact  that  you  are  sad  and  depressed  and  feel  unworthy,  your  response  to that isn‘t going to be operating according to your Strategy and Authority. 

You are not-self.  The response is going to be whenever, psychology, drugs, get deeply me-dicated, take a new training, follow a guru; it goes on and on and on and on and on instead of just being able to sit back and to enjoy the ride. 

How beautiful it can be.   ~ Ra Uru Hu

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